The Duke (Michell, 2020): Local Framing, Global Networking

Basit Öğe Kaydı
dc.contributor.authorDiken, Ebru Thwaites
dc.date.accessioned2026-04-04T18:44:23Z
dc.date.available2026-04-04T18:44:23Z
dc.date.issued2025
dc.departmentİstanbul Bilgi Üniversitesi
dc.description.abstractThe paper analyzes The Duke as a networked narrative that frames the story of the theft of the painting of The Duke of Wellington locally. It explains how the film represents the North and Northern Englishness, deconstructing the stereotype of the Northern through humour and satire. It also looks at how the North is used as a geographical and a cultural space in which the film articulates its artistic, philosophical, ethico-political problematique. That is, how can everyday life escapes the grip of systems? The paper discusses this question by relating it to Michelle De Certeau’s theory of tactics and strategy.
dc.identifier.doi10.47613/reflektif.2025.220
dc.identifier.endpage370
dc.identifier.issn2717-9842
dc.identifier.issn2718-0344
dc.identifier.issue2
dc.identifier.startpage359
dc.identifier.trdizinid1330723
dc.identifier.urihttps://doi.org/10.47613/reflektif.2025.220
dc.identifier.urihttps://search.trdizin.gov.tr/tr/yayin/detay/1330723
dc.identifier.urihttps://hdl.handle.net/11411/10118
dc.identifier.volume6
dc.indekslendigikaynakTR-Dizin
dc.language.isoen
dc.relation.ispartofReflektif Sosyal Bilimler Dergisi
dc.relation.publicationcategoryMakale - Ulusal Hakemli Dergi - Kurum Öğretim Elemanı
dc.rightsinfo:eu-repo/semantics/openAccess
dc.snmzKA_TR-Dizin_20260402
dc.subjectLocalization, Humour, Everyday Life, Tactic, Northern Englishness
dc.titleThe Duke (Michell, 2020): Local Framing, Global Networking
dc.typeArticle

Dosyalar

Koleksiyon

TR Dizin Indexed Publications